Though Godot contains all the wit and whimsicality of Murphy (minus a great deal of the old pedantry), it has one new ingredient — humanity. The novel and the play both tell us that human suffering is comic and irrational (" absurd" in the fashionable jargon), but only Godot reads like the work of a man who has actually suffered. …Even if it added nothing to Murphy, Godot would still be remarkable by the mere fact of being a popular play on an unpopular theme... Its author has achieved a theoretical impossibility — a play in which nothing happens, that yet keeps audiences glued to their seats. What’s more, since the second act is a subtly different reprise of the first, he has written a play in which nothing happens, twice. . . . About the only thing Godot shows consistent respect for is the music-hall low-comedy tradition.
- Vivian Mercier, on Waiting for Godot, in "The Uneventful Event" in The Irish Times (18 February 1956), p. 6.
Review of First NYC performance, 1956
A Study Guide from A Noise Within Theater
Godot and Comedy and the Cartoon Network
No comments:
Post a Comment